München, Feet Become Ears – Dandelion Quintett
Hildur Guðnadóttir: „From the other place“ for open instrumentation
Pēteris Vasks: „Music for the fleeting birds“ for woodwind quintet
Carlos Cipa: „Thumb“ for woodwind quintet*
Ralph Heidel: „I promise“ for woodwind quintet*
Aftab Darvishi: „Land of Lights“ for woodwind quintet*
Simon Popp: New work for woodwind quintet and drums*
Ann Southam: From „Glass Houses“ No. 7 and No. 10 (arr. by Sophia Jani, Theresa Zaremba, Carlos Cipa) for mixed octet
*world premiere
Natalia Karaszewska (flute), Maximilian Strutynski (clarinet), Miriam Hanika (oboe), Dorothea Bender (french horn), Artūras Gelusevičius (bassoon), Teresa Allgaier (violin), Juri Kannheiser (violoncello), Simon Popp (drums), Marcel Morikawa (percussion)
Feet Become Ears opens their 2022-23 season with Icelandic composer Hildur Guðnadóttir’s meditative „From the Other Place“, a short piece composed in 2014 that serves as the opening to three of the volumes, each time taking on a new sound. Continuing with Pēteris Vasks’ onomatopoeic landmark work „Music for the fleeting birds“ for woodwind quintet. Then, four world premieres showcase the next generation of composers: Iranian composer Aftab Darvishi, whose works explore cultural boundaries between Western classical and Persian culture; genre-blending drummer Simon Popp and saxophonist Ralph Heidel, two artists who don’t usually work with notated scores, but who each were invited to write pieces for woodwind quintet, bringing a new voice to the instrumentation; and composer and Feet Become Ears Co-Founder Carlos Cipa, whose works blur lines between contemporary classical and pop. Also part of the program is 20th century Canadian composer Ann Southam’s „Glass Houses“ No. 7 and No. 10, arranged for mixed octet. Southam’s work has often been overlooked, but here receives renewed attention and care. All pieces are performed by Dandelion Quintett — a Munich-based woodwind ensemble around Feet Become Ears Co-Founder and oboist Miriam Hanika that shares and celebrates the joy and virtuosity of contemporary chamber music — and guests.